1.0MACT/CACT Arte Contemporanea Ticinohttps://www.cacticino.net/en/wp_cacticinohttps://www.cacticino.net/en/author/wp_cacticino/rich600338<blockquote class="wp-embedded-content" data-secret="dHBb8jdnST"><a href="https://www.cacticino.net/en/exhibitions/jadore-les-femmes/">J’adore les femmes</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.cacticino.net/en/exhibitions/jadore-les-femmes/embed/#?secret=dHBb8jdnST" width="600" height="338" title="“J’adore les femmes” — MACT/CACT Arte Contemporanea Ticino" data-secret="dHBb8jdnST" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.cacticino.net/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://www.cacticino.net/wp-content/uploads/2021/09/SITO-download.jpg719720[vc_row][vc_column][vc_images_carousel images=”29806″ img_size=”full” onclick=”link_no” speed=”4000″ autoplay=”yes” hide_pagination_control=”yes” hide_prev_next_buttons=”yes” wrap=”yes”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”J&apos;adore les femmes” font_container=”tag:h1|font_size:25|text_align:left|color:%23000000″ google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:700%20bold%20regular%3A700%3Anormal” css=”.vc_custom_1679265459097{margin-bottom: -0.1em !important;}”][vc_row_inner][vc_column_inner][vc_custom_heading text=”Katia Bassanini / Franz von Bayros / Giona Bernardi / Jérémie Blanes / Corrado Bonomi / Serge Brignoni / Jon Campbell / Mat Collishaw / Mario Comensoli / Pier Giorgio De Pinto / Martin Disler / Alex Hanimann / Paul Herrmann / Osias Hofstätter / Hermann Huber / Andrée Julikà Tavares / Béla Kádár / Patricia Jacomella Bonola / Paul Kleinschmidt / Yona Lotan / Meret Oppenheim / Maren Ruben / Valter Luca Signorile / Nina Staehli / Anonymous of the 15th century” font_container=”tag:h1|font_size:25|text_align:left|color:%23000000″ google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_custom_heading text=”Design objects” font_container=”tag:h1|font_size:25|text_align:left|color:%23000000″ google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_custom_heading text=”17 May – 18 August 2024″ font_container=”tag:h1|font_size:18|text_align:left|color:%23000000″ google_fonts=”font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=”1/3″][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text]The exhibition entitled J’ADORE LES FEMMES sets out to express the feminine or the masculine, to the extent that these two aspects can be identified not in the basics of everyday life, but in the reflexive context of what the feminine and – as a consequence – the masculine dimensions represent in their general meaning, both philosophical and human, or of dialogue between the parties. There is a fertile terrain for analysis in the wide range of multiple approaches to our carnal or metacarnal essence, both rational and irrational, in which reason and the intoxicated liberation of our senses also constitute the basis of our behaviours and of how we think. The feminine dimension, construed not as gender individualism, remains a shared characteristic and inspiration for reflection, one that was already tackled in antiquity and in lofty cultural environments, where the issue of the multifarious male and female nature was part of a humanist view of the human race. These few considerations are compounded by untamed interferences and certain areas of disturbance, where the body prevails in its affirmation over the cultural dimension and other educational idioms and styles or religious contexts, which also stand revealed as other expressions of an ostracising, moralistic tone of politics, which comes from radicalisation to either right or left, or from other racial terrains of a more or less misogynist – if not (neo)fascist – nature, and sometimes in general from a dangerous classism of gender. In the attempt to lend substance to a rationalist approach and to a vision of organisation and reorganisation of a post-contemporary human condition that appears to have been lost as we ourselves have gone off the tracks, if we were to imagine today that certain conquests actually constitute mistakes and a threat to stability, it would be tantamount to believing that the political state (since politics still tends to influence our behaviours) is better and more advanced than that of civil society, whereas we are in fact only too aware that civil society and the society of the state have only seldom found themselves in symbiotic equilibrium. Discussing the concept of “feminine” – starting out from the universal wisdom that a Mother is the bearer of life – and how it compares or dialogues with the “masculine” dimension (and vice-versa) has always been something of a sign of cultural failure. Maybe only in early historical eras does this clash appear to […]