{"version":"1.0","provider_name":"MACT\/CACT Arte Contemporanea Ticino","provider_url":"https:\/\/www.cacticino.net\/en\/","author_name":"wp_cacticino","author_url":"https:\/\/www.cacticino.net\/en\/author\/wp_cacticino\/","title":"Le mamelon enchant\u00e9 - MACT\/CACT Arte Contemporanea Ticino","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MNRzmDCU4f\"><a href=\"https:\/\/www.cacticino.net\/en\/exhibitions\/le-mamelon-enchante\/\">Le mamelon enchant\u00e9<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cacticino.net\/en\/exhibitions\/le-mamelon-enchante\/embed\/#?secret=MNRzmDCU4f\" width=\"600\" height=\"338\" title=\"&#8220;Le mamelon enchant\u00e9&#8221; &#8212; MACT\/CACT Arte Contemporanea Ticino\" data-secret=\"MNRzmDCU4f\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cacticino.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.cacticino.net\/wp-content\/uploads\/2016\/11\/SITO-GChiariNegativo-per-Or.jpg","thumbnail_width":379,"thumbnail_height":720,"description":"[vc_row][vc_column][vc_images_carousel images=&#8221;14206&#8243; img_size=&#8221;full&#8221; onclick=&#8221;link_no&#8221; speed=&#8221;4000&#8243; autoplay=&#8221;yes&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221; wrap=&#8221;yes&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;2\/3&#8243;][vc_custom_heading text=&#8221;Le mamelon enchant\u00e9&#8221; font_container=&#8221;tag:h1|font_size:25|text_align:left|color:%23000000&#8243; google_fonts=&#8221;font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:700%20bold%20regular%3A700%3Anormal&#8221; css=&#8221;.vc_custom_1696690942875{margin-bottom: -0.1em !important;}&#8221;][vc_row_inner][vc_column_inner][vc_custom_heading text=&#8221;Donato Amstutz \/ J\u00e9r\u00e9mie Blanes \/ Giuseppe Chiari \/ Carmelo Cutuli \/ Alex Hanimann \/ Hans Hartung \/ Sebastiano Impellizzeri \/ Sam Kautsch \/ Ingeborg L\u00fcscher \/ Eugen Adolf Maurer \/ Gianluca Monnier \/ Sonja Maria Schobinger \/ Andro Wekua \/ Albert Edgar Yersin&#8221; font_container=&#8221;tag:h1|font_size:25|text_align:left|color:%23000000&#8243; google_fonts=&#8221;font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal&#8221;][vc_custom_heading text=&#8221;26 January &#8211; 21 April 2024&#8243; font_container=&#8221;tag:h1|font_size:18|text_align:left|color:%23000000&#8243; google_fonts=&#8221;font_family:Roboto%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C500%2C500italic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;2\/3&#8243;][vc_column_text]Visual grammar is \u2013 and will ever be in future \u2013 one of the great challenges and issues under discussion about interpretations of art as a social and philosophical phenomenon. To decrypt aspects of evolution that relate closely to artistic language is not to fail to comply with the moral commitments of a modern, conscientious society that looks to artificial intelligence for reasons for redefining its craft precursor, balanced on a knife-edge between the golden calf of digital virtual reality and the encephalo-tactile dimension. LE MAMELON ENCHANT\u00c9 (The enchanted nipple), a copper engraving made by Albert-Edgar Yersin (1905-1984) in 1947, is the surreal cue for us to venture into a Cabinet of Curiosities encompassing both the oneiric dimension and tactile reality, where what is at stake is the individual\u2019s civic response or civil responsibility within a society of nothingness, one of inhibitions that is increasingly less inclined to exercise a critical capacity: an anonymous society in which theories and theorems brutally supplant corporality. Following this thread, the Wunderkammer is disseminated as in a love letter, attempting \u2013 much like a silent cry of love and of life \u2013 to give meaning to the works selected and put on show for the benefit of visitors, even before that of the artist himself. And we may be permitted to wonder whether and to what extent, in this scale of values, globalisation, as asphyxiating as it is critical, has managed to coax man to make his way back within himself. Mario Casanova, Bellinzona, 2023. English translation by Pete Kercher[\/vc_column_text][vc_separator color=&#8221;black&#8221; align=&#8221;align_left&#8221; css=&#8221;.vc_custom_1500726464523{margin-bottom: 10px !important;}&#8221;][vc_column_text]Sam Kautsch (1947), Das Paar, 1975 approx. Installation, assembly of objects, variable size. Private collection, Switzerland.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1530636869610{margin-left: 30% !important;}&#8221; offset=&#8221;vc_hidden-xs&#8221;][vc_column_text css=&#8221;.vc_custom_1500461040064{margin-bottom: -0.1em !important;}&#8221;]Where[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1500461387424{margin-bottom: -0.1em !important;}&#8221;]MACT\/CACT[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1660469142829{margin-bottom: -0.1em !important;}&#8221;]Museo e Centro d&#8217;Arte Contemporanea Ticino[\/vc_column_text][vc_column_text]Via Tamaro 3, Bellinzona.[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1500461765024{margin-bottom: -0.1em !important;}&#8221;]Opening hours[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1525680581577{margin-bottom: -0.1em !important;}&#8221;]Friday, Saturday, Sunday[\/vc_column_text][vc_column_text]2 p.m. &#8211; 6 p.m.[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1500462045901{margin-bottom: -0.1em !important;}&#8221;]Entry[\/vc_column_text][vc_column_text]CHF 6.00[\/vc_column_text][\/vc_column][\/vc_row]"}